Studio B offers a spacious control room with controlled acoustics, ideal for synthesizer recording, production sessions, and mixing. The recording room features a skyline-diffuser ceiling and two amp-booths, making it a strong choice for band recordings.
A modular acoustic system allows engineers to shape the recording space from lively to completely dry, making Studio B as effective for vocal tracking as it is for drum recordings. The control and recording rooms are separated by a large glass door, enabling seamless communication between musicians and engineers while maintaining excellent isolation for monitoring.
Centered on a 1980s Tascam M700 console, the control room features a large collection of boutique preamps, vintage outboard, and FX processors. Producers and engineers can connect their workstations to Studio B’s system with a single cable, enabling full access to all inputs, outputs, and gear across the studio.
Digital multitracking is powered by Pro Tools HD3 Accel and RME Fireface, featuring Apogee converters. For tape recording, a 2” Otari MX80 24-track tape machine is available and in excellent condition. Monitoring comes via Westlake BBSM12 with Dynaudio subs, and Yamaha NS10s. Adding to the room’s unique vibe is a Hammond C3 organ with Leslie 122.
Notable: Neve, Chandler, Tube-Tech, Lexicon, Manley, 40-channel mixing desk, all easily accessible via laptop.
Tasks: Recording, producing, synth work, mixing
Clients: Juice WRLD, SmokePurpp, Cubeatz (Travis Scott, Drake...), Einstürzende Neubauten, Mulatu Astatke
